Rehearsal Report--6/20

It was a rerun rehearsal of last week.  The actress playing Anne was not contacted to see if she could attend, so we confirmed old ground and started to get a little more in depth with the characters and individual moments throughout the B- and C- plot.  There was a lot of cleaning up and clarification of blocking.

Rehearsal Report--6/15

We rehearsed the B- and C-plots this evening.  The B-plot is the romantic element of the show (Anne's suitors), and the C-plot is Dr. Caius and Sir Hugh Evans revenge on the Host of the Garter.  Most of the Shakespeare comedies have an A-plot and a B-plot.  What's interesting about Merry Wives, is that the B-plot, then fractures into a tiny C-plot as well.  I have the intent of strengthening the C-Plot to be as powerful as the other two.

Justice Shallow

Justice Shallow first appears in Henry IV, Part 2 as an old friend of Falstaff's.  In this play they have a very warm relationship.  Falstaff owes him a thousand pounds and when Henry IV dies at the end of the play, Falstaff asks Shallow to follow him to the castle.  Falstaff believes that his drinking buddy Prince Hal, now King Henry V, will reward him for his long devotion and friendship.  Instead the new King Henry ignores Falstaff, leaving the folly of youth behind, and devastating the fat knight.

Shallow witnesses this and, rather than press his friend for the money, he tries to forgive him half of the debt and asks Falstaff to come to his home in the country [Windsor].  Falstaff agrees but says that he will pay him what he owes.

So...Who Are The Merry Wives of Windsor?

This took a little bit longer than I expected.  Essentially there are 19 principal roles, with three of them going to children.  Figuring out the relationships and what makes the characters tick is a time consuming process.  Especially when there are 6 principals who do not have a lot of lines but a lot of stage time.

So let's dig right in and get to the cast breakdown. 

When is The Merry Wives of Windsor?

When you consider the time of The Merry Wives of Windsor, there are really three things you are considering:

1. The setting of the script;
2. The time we are setting this production;
3. The time the script was written.

With most plays you don't necessarily consider the second point, but because Shakespeare is so "hard to understand" directors sometimes take great strains to translate the story to a setting that will give their audience another "in" to the script.  I wholeheartedly believe that there is nothing wrong with this.

Purists (oh, how I loathe them) cry fowl when directors update a Shakespeare script.  They think that it is a bespoulment of the good works of a master.  I would say to them The Lord Chamberlain's Men and The King's Men did the exact same thing during Shakespeare's time.  They kept their actors in modern, Elizabethan dress, especially for the history plays.  Why should we be any different?

What is The Merry Wives of Windsor?

The Merry Wives of Windsor is one of Shakespeare's middle era comedies which I am going to say was written in 1600.  A far more detailed explanation for my choosing of that date will come in the immediate future.  There is much debate about the actual year of authorship, as there is with most dates for anything Shakespeare related.

I am quite in love the idea that this play was written at the request of Elizabeth I because she enjoyed the character of Falstaff so much and wanted to see a play with him in love. 

The play focuses on the oafish knight Sir John Falstaff and his attempts to woo two married women so that he may be a "kept" man.  A secondary plot revolves around Anne Page, the eldest daughter of one of the women Falstaff is wooing, and the three men that are vying for her affection. 

The comedy is broad, perhaps the broadest of any of the Shakespeare plays, and oftentimes borders on farcical slapstick.  Many contemporary scholars/directors liken it to a sitcom; one of the popular "adapted settings" is that of a 1950's/early 60's sitcom setting.